Artist Statement

My works are meant for the everyday person to be able to use a fully functional ceramic piece. My ceramic pieces experiment with different techniques and form designs to allow me to experiment what is best for the user. I create forms that have bright colors and at times fun playful patterns that appeal to the eye.I want the user to feel a sense of pride when using my pieces that these forms are made for their comfort and convenience. 

I make work for the user to create a connection with each piece used. Each piece is meant to be meticulously thought out and how it will feel in the user's hands and what emotions and function it will bring for them. My works are meant to create a connection between the user and the purpose they are made for. Ceramics is a very purposeful art form, each piece is intended for a purpose or a use just how I intend with my work. Ceramics is often seen as a fragile art form that should be handled with care. Ceramics is an art form that's been around for several decades and while it is a delicate art form it still is accessible to the everyday user and can bring functionality and emotion into the daily use of them. I want my pieces to evoke some kind of emotion and allow people to make a deeper connection with ceramics and understand what the purpose is for each piece's design. 

Assorted homemade ceramic bowls and cups arranged on a surface.
Ceramic bowl with vegetable illustrations on inner surface

Veggie bowl, 2024. Ceramic Bowl, Speckled Buff.

Black ceramic cup with a hole near the rim on a white background.

Black Straw Cup, 2024. Ceramic, Speckled Buff.

Decorative square ceramic box with leaf patterns, a knob, and small feet, set against a textured red background.

Leaf Box, 2022. Ceramic.

Apple Mug, 2024. Ceramic.

Works

Ceramic bowl with blue and green glaze on white background

Blue/Green Bowl, 2024. Ceramic, Speckled Buff

Green ceramic pot with textured surface on a white background.

Turquoise Straw Cup, 2024. Ceramic, Speckled Buff.

A small dark ceramic cup on a light surface with a plain background.

Mug #2, 2024. Ceramic.

A small ceramic mug with a painting of red apples on it, placed on a dark wooden surface against a textured white wall.

Mug #1, 2024. Ceramic Mug, Speckled Buff.

Three handcrafted ceramic cups with a glossy, textured finish on a white surface.

Tea Bowl Set, 2024. Ceramic.

A decorative ceramic holder with raised textured patterns, sitting on a dark surface against a light textured wall, containing a nail clipper.

Amber Travel Cup, 2024. Ceramic

Ceramic bowl with a blue and brown glaze on a white background.

Bowl, 2022. Ceramic.

A handcrafted ceramic mug with a textured surface and a handle, placed on a white background.

Zebra Cup, 2024, Ceramic Cup, Speckled Buff.

Ceramic lamp base shaped like a black cartoon hamster with exaggerated eyes and pink belly.

Rat lamp,2024. Ceramic, Speckled Buff.

Small ceramic cup with brown and green glaze on a dark wood surface and textured beige wall background.

Mug #3, 2023. Ceramic. 

Ceramic mug shaped like a green zombie face with black hair, set on a dark surface against a textured wall.

Frankenstein Vase, 2022. Ceramic.

Artist Process

Clay pot on a pottery wheel in a workshop, with an orange bucket and a person in the background.

I start my ceramic making process by throwing a one pound ball of clay. Depending on what I want to make is how much clay I use, it is typically one to one and a half pounds in weight. 

Two unfinished clay mugs on a table in a pottery studio with a person in the background.

At the same time of the pieces drying I also determine what the piece is going to be. In this case it will be a cylinder straw cup so I manipulate the clay to have a curved lip that will later hold a straw into place.

Handmade pottery cups and bowls drying on a table with some pieces covered in cloth.

Once I am satisfied with what I throw, I use a wire tool to cut the cylinder off the wheel and transfer to a wood board to dry for a few days before trimming. If I am not able to immediately trim the pieces I wrap damp paper towels around them to add extra moisture to the piece.

Next I determine if the pieces are dry enough to trim. I typically push on the bottom to check the consistency and softness of the clay. Once I have determined if the clay is dry enough then I trim the bottom of the cylinders on the wheel to give them a foot which will later help prevent cracking or warping of the piece and be better once it is a fully functional piece.Once done I allow the pieces to fully dry and they will go into the first firing.

Two handmade ceramic mugs on a metal table, one black with a green straw and one green. Background shows more ceramics and workshop tools.
Two unglazed clay pottery pieces with initials "KL" etched on the bottom, placed on a beige surface.

Once out of the first firing I next glaze the pieces. I first start by waxing the bottom of the pieces to help keep the bottoms clean incase of any glaze runs. Next I decide which glaze to dip the pieces in. When dipping I do a two to three second hold to make sure the piece is getting fully covered. Once they are covered in glaze I wipe the bases and they will be fired to reach their full maturity. Once out of the glaze firing they are ready to be used.

Resume

https://docs.google.com/document/d/1LuDGWx1JUWwJbk5FiZoZTEzd6Onep7N-JyLL9IvwpxE/edit?usp=sharing

Cover Letter

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Cover Letter *

https://docs.google.com/document/d/106Q68S0QX13e21brKi7VvOQQsXybB90lGPS6_RGHZ2g/edit?usp=sharing

Writing Samples

Sue Coe

https://docs.google.com/document/d/1gi-Uwam6OTOMx0uOeJm_xBpaLpWTRS37xNQK_xFf6hU/edit?usp=sharing

Curatorial Proposal

https://docs.google.com/document/d/1urUvACADXJrt-3g5DCggB7uh6InnmOwjGrMoX-SFIzs/edit?usp=sharing

Personal Curatorial

https://docs.google.com/document/d/1EEStyhJXjSr8yU8ExqwFE811hisaVmKieb_JfmZaiYI/edit?usp=sharing